The ‘shadow line’ is a term Royle uses to describe the faint line on the top edge of the text block that allows him to see whether a book on a shelf contains an inclusion – those items inserted into books and long forgotten. The shadow line is a constant reminder of how Royle started to think of books as more than just the printed stories or information they contain. He is always looking for shadow lines when scanning the shelves of second-hand bookstores, charity shops, hotels, Little Free Libraries and Airbnbs. He’s no longer only looking for books that are just books. He’s looking for the book that contains a hand-drawn map of an unnamed town in Ireland that he can try to identify so he can read the book while walking the streets depicted on the map. He’s looking for the book that contains a 1957 delivery note for an address in Bristol, so that he can send the book, complete with delivery note, to whoever lives there now and invite them to welcome it back into its former home. He's also looking, beyond the bookshelves, for books dumped in the street, for books used as props in art installations, for books left on bedside tables in films. He’s looking for books that are Doppelgängers of other books, for books that are named after places (where they might not be set), for books with two-word titles the first of which is London. He’s looking for books that don’t exist. This follow-up to White Spines, Royle’s instant classic published in 2021, shows his search takes many forms, giving a shape and a structure to this compelling new work, just as the search for the Picadors informed the former. Strange, haunting, comic and poignant, Shadow Lines is the perfect book for those who love physical books and the stories beyond their pages.

The nation's favourite annual guide to the short story, now in its eleventh year. Best British Short Stories invites you to judge a book by its cover - or, more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. This new anthology includes stories by Julia Armfield, A.J. Ashworth, Iphgenia Baal, Emma Bolland, Tom Bromley, Gary Budden, Jen Calleja, Robert Dewa, John Foxx, Josephine Galvin, Uschi Gatward, Meave Haughey, Hilaire, Alice Jolly, Isha Karki, Yasmine Lever, Simon Okotie, Mel Pryor, Douglas Thompson and Matthew Turner.

Editor's Choice, The Bookseller A mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle's passion for Picador's fiction and non-fiction publishing from the 1970s to the end of the 1990s. It explores the bookshops and charity shops, the books themselves, and the way a unique collection grew and became a literary obsession. Above all a love song to books, writers and writing.

What is this thing called literature? Why study it? And how? Relating literature to topics such as dreams, politics, life, death, the ordinary and the uncanny, This Thing Called Literature establishes a sense of why and how literature is an exciting and rewarding subject to study. Andrew Bennett and Nicholas Royle expertly weave an essential love of literature into an account of what literary texts do, how they work and the sort of questions and ideas they provoke. The book’s three parts reflect the fundamental components of studying literature: reading, thinking and writing. The authors use helpful and wide-ranging examples and summaries, offering rich reflections on the question ‘What is literature?’ and on what they term ‘creative reading’. The new edition has been revised throughout with extensive updates to the further reading, and a new chapter on creative non-fiction. Bennett and Royle’s accessible and thought-provoking style encourages a deep engagement with literary texts. This essential guide to the study of literature is as an eloquent celebration of the value and pleasure of reading.

Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at 'The Beginning' and concluding with 'The End', chapters range from the familiar, such as 'Character', 'Narrative' and 'The Author', to the more unusual, such as 'Secrets', 'Pleasure' and 'Ghosts'. Now in its sixth edition, Bennett and Royle's classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literature and laughter. The sixth edition has been revised and updated throughout. In addition, four new chapters - 'Literature', 'Loss', 'Human' and 'Migrant' - engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader's eyes to the exhilarating possibilities of reading and studying literature.

In this one-of-a-kind book, novelist and academic Nicholas Royle brings together two remarkably different creative figures: Enid Blyton and David Bowie. His exploration of their lives and work delves deeply into questions about the value of art, music and literature, as well as the role of universities in society. Blending elements of memoir and cultural commentary, Royle creates a tender and often hilarious portrait of family life during the pandemic, weaving it together with musings on dreams, second-hand bookshops and unpublished photos of Bowie taken by Stephen Finer. He also shares previously unrecorded details about Blyton’s personal life, notably her love affair with Royle’s grandmother. David Bowie, Enid Blyton and the sun machine offers a singular perspective on the cultural significance of two iconic figures. In doing so, it makes a compelling case for the power of storytelling and music to shape our lives. -- .

Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at 'The Beginning' and concluding with 'The End', chapters range from the familiar, such as 'Character', 'Narrative' and 'The Author', to the more unusual, such as 'Secrets', 'Pleasure' and 'Ghosts'. Now in its sixth edition, Bennett and Royle's classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literature and laughter. The sixth edition has been revised and updated throughout. In addition, four new chapters - 'Literature', 'Loss', 'Human' and 'Migrant' - engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader's eyes to the exhilarating possibilities of reading and studying literature.

What is this thing called literature? Why study it? And how? Relating literature to topics such as dreams, politics, life, death, the ordinary and the uncanny, This Thing Called Literature establishes a sense of why and how literature is an exciting and rewarding subject to study. Andrew Bennett and Nicholas Royle expertly weave an essential love of literature into an account of what literary texts do, how they work and the sort of questions and ideas they provoke. The book’s three parts reflect the fundamental components of studying literature: reading, thinking and writing. The authors use helpful and wide-ranging examples and summaries, offering rich reflections on the question ‘What is literature?’ and on what they term ‘creative reading’. The new edition has been revised throughout with extensive updates to the further reading, and a new chapter on creative non-fiction. Bennett and Royle’s accessible and thought-provoking style encourages a deep engagement with literary texts. This essential guide to the study of literature is as an eloquent celebration of the value and pleasure of reading.

What is this thing called literature? What is the point of studying literature? How do I study literature?

Relating literature to timeless topics such as dreams, politics, life, death, the ordinary and the crazy, this beautifully written book establishes a sense of why and how literature is an exciting and rewarding subject to study. Bennett and Royle delicately weave an essential love of literature into an account of what literary texts do, how they work and what sort of questions and ideas they provoke.

The book s three parts reflect the key components of studying literature: reading, thinking and writing. Part One comprises short chapters on reading a poem, reading a novel, reading a story, and reading a play. Part Two considers what thinking is, especially in relation to critical thinking and thinking about literature. Part three includes practical chapters on writing an essay, creative writing, and writing fiction. The authors use helpful, familiar examples throughout and offer brief reflections on questions such as 'What is literature?', on 'English' as a war zone, on crisis management and literary criticism, on dictionaries and on what the authors call creative reading

Bennett and Royle s lucid and friendly style engages and encourages personal experience of this thing called literature."

The nation's favourite annual guide to the short story, now in its tenth year. Best British Short Stories invites you to judge a book by its cover - or, more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring: Richard Lawrence Bennett, Luke Brown, David Constantine, Tim Etchells, Nicola Freeman, Amanthi Harris, Andrew Hook, Sonia Hope, Hanif Kureishi, Helen Mort, Jeff Noon, Irenosen Okojie, KJ Orr, Bridget Penney, Diana Powell, David Rose, Sarah Schofield, Adrian Slatcher, NJ Stallard, Robert Stone, Stephen Thompson and Zakia Uddin.

There are few figures more important in literary and critical theory than Jacques Derrida. Whether lauded or condemned, his writing has had far-reaching ramifications, and his work on deconstruction cannot be ignored. This volume introduces students of literature and cultural studies to Derrida's enormously influential texts, covering such topics as:
*deconstruction, text and difference
*literature and freedom
*law, justice and the 'democracy to come'
*drugs, secrets and gifts.
Nicholas Royle's unique book, written in an innovative and original style, is an outstanding introduction to the methods and significance of Jacques Derrida.

How do you write a novel? Practising novelists and teachers of creative writing reveal their working methods and offer practical advice. Subjects covered range from magic realism to characterisation, surrealism to historical fiction, via perspective, plot twists and avoiding being boring, among many others. This book is for creative writing students writers and readers of novels teachers of creative writing With contributions from Leone Ross, Tom Bromley, Jenn Ashworth, AJ Dalton, Nikesh Shukla, Stella Duffy, Mark Morris, Alison Moore, Nicholas Royle, Alice Thompson, Kerry Hudson, Toby Litt, Livi Michael, Joe Stretch, James Miller, Sarah Butler, Will Wiles, Graeme Shimmin Featuring Eighteen specially commissioned essays Creative writing exercises Top tips Lists of recommended novels

The nation's favourite annual guide to the short story, now in its seventh year. Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring stories by Jay Barnett, Peter Bradshaw, Rosalind Brown, Krishan Coupland, Claire Dean, Niven Govinden, Francoise Harvey, Andrew Michael Hurley, Daisy Johnson, James Kelman, Giselle Leeb, Courttia Newland, Vesna Main, Eliot North, Irenosen Okojie, Laura Pocock, David Rose, Deirdre Shanahan, Sophie Wellstood and Lara Williams.

This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. Much of this importance can be traced back to Freud's extraordinary essay of 1919, 'The Uncanny' (Das Unheimliche). As a ghostly feeling and concept, however, the uncanny has a complex history going back to at least the Enlightenment. Royle offers a detailed account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on literature, teaching, psychoanalysis, deconstruction, film, the death drive, deja vu, silence, solitude and darkness, the fear of being buried alive, the double, ghosts, cannibalism, telepathy, madness and religion. -- .

This book provides a wide-ranging and up-to-date critical introduction to the writings of Helene Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the 'Mother unconscious', drawing, painting, life writing, telephones, non-human animals, telepathy and the 'art of cutting'. There are close readings of Shakespeare, Bronte, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and 'The Laugh of the Medusa' (1975) up to the present. Royle's book will be useful to students and academics coming to Cixous's work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting. -- .

What is this thing called literature? What is the point of studying literature? How do I study literature?

Relating literature to timeless topics such as dreams, politics, life, death, the ordinary and the crazy, this beautifully written book establishes a sense of why and how literature is an exciting and rewarding subject to study. Bennett and Royle delicately weave an essential love of literature into an account of what literary texts do, how they work and what sort of questions and ideas they provoke.

The book s three parts reflect the key components of studying literature: reading, thinking and writing. Part One comprises short chapters on reading a poem, reading a novel, reading a story, and reading a play. Part Two considers what thinking is, especially in relation to critical thinking and thinking about literature. Part three includes practical chapters on writing an essay, creative writing, and writing fiction. The authors use helpful, familiar examples throughout and offer brief reflections on questions such as 'What is literature?', on 'English' as a war zone, on crisis management and literary criticism, on dictionaries and on what the authors call creative reading

Bennett and Royle s lucid and friendly style engages and encourages personal experience of this thing called literature."

There are few figures more important in literary and critical theory than Jacques Derrida. Whether lauded or condemned, his writing has had far-reaching ramifications, and his work on deconstruction cannot be ignored. This volume introduces students of literature and cultural studies to Derrida's enormously influential texts, covering such topics as:
*deconstruction, text and difference
*literature and freedom
*law, justice and the 'democracy to come'
*drugs, secrets and gifts.
Nicholas Royle's unique book, written in an innovative and original style, is an outstanding introduction to the methods and significance of Jacques Derrida.

This collection of stories from some of horror fiction's best authors will glue you to the page, but watch out; it may leave you too afraid to take the metro to work. In deep tunnels something stirs, borne on a warm breath of wind, reeking of diesel and blood. The spaces between stations hold secrets too terrible for the upper world to comprehend and the steel lines sing with the songs of the dead. Jonathan Oliver has collected together some of the very best in new horror writing in an themed anthology of stories set on, and around, the New York subway, the London underground, the Metro and other places deep below.

In this one-of-a-kind book, novelist and academic Nicholas Royle brings together two remarkably different creative figures: Enid Blyton and David Bowie. His exploration of their lives and work delves deeply into questions about the value of art, music and literature, as well as the role of universities in society. Blending elements of memoir and cultural commentary, Royle creates a tender and often hilarious portrait of family life during the pandemic, weaving it together with musings on dreams, second-hand bookshops and unpublished photos of Bowie taken by Stephen Finer. He also shares previously unrecorded details about Blyton’s personal life, notably her love affair with Royle’s grandmother. David Bowie, Enid Blyton and the sun machine offers a singular perspective on the cultural significance of two iconic figures. In doing so, it makes a compelling case for the power of storytelling and music to shape our lives. -- .

This book reflects on the figure of veering to form a new theory of literature. Contrary to a widespread sense that literature has become increasingly irrelevant to our culture and everyday life, Royle brilliantly traces a strangely compelling 'literary turn'. Starting with an 'Advertisement' (which literally means a 'turning towards') like an 18th-century novel, he explores images of swerving, loss of control, digressing and deviating to form this new theory of literature. Royle's study ranges from Montaigne to Stephen King, from the 'dance of atoms' in Lucretius to the 'human veer' in Don DeLillo. With wit and irony he investigates 'veering' in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others. Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as 'creative writing'. It proposes a new term for understanding post-1960s cultural and intellectual history: 'the literary turn'. It transverses different disciplines and discourses including verse, vertigo, the dinameu, detournement, transversality, environmentalism, the linguistic, the ethical and the political turn.

Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction. The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michele Roberts, Dai Vaughan, Alison Moore and Salley Vickers.

Joel Lane (1963-2013) was one of the UK's foremost writers of dark, unsettling fiction, a frank explorer of sexuality and the transgressive aspects of human nature. With a tight focus on the post-industrial Black Country and his home city of Birmingham, he created a distinct form of British urban weird fiction. Scar City is one of the final collections put together before his death in 2013 - with his home city of Birmingham as their nucleus, these are intense, haunting and often painful stories from a master of the short form. WITH A NEW INTRODUCTION BY NICHOLAS ROYLE

The nation's favourite annual guide to the short story, now in its twelfth year. Best British Short Stories invites you to judge a book by its cover - or, more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.

In this touching, funny and beautifully written portrait of family life, mother-son relationships and bereavement, Nicholas Royle captures the spirit of post-war parenting as well as of his mother whose dementia and death were triggered by the tragedy of losing her other son-Royle's younger brother-to cancer in his twenties. At once poetic and philosophical, this extraordinary memoir is also a powerful reflection on climate crisis and 'mother nature', on literature and life writing, on human and non-human animals, and on the links between the maternal and memory itself.

Silas and Ethel Woodlock have retired from the business of undertaking to spend their twilight years by the sea but things are not as easy as they'd hoped, and it's all to do with herring gulls. Stephen Osmer and Lily Lynch are a glamorous young couple on the London literary scene. While Lily pursues an ambitious public art project about 'cinematic intentions', we encounter Osmer's brilliance as an arts journalist, writing a dangerously provocative essay about social justice and the banking crisis, as well as a diatribe about two people called Nicholas Royle, one a novelist, the other a literary critic.Did Royle, the literary critic, steal and publish a manuscript written by Silas Woodlock on the subject of 'Gulls'? With whom is Lily Lynch having a passionate affair? A midsummer party at a farmhouse by the sea provides the fateful climax.Playfully commenting on this main story are 17 interlinked 'Hides', primarily about birds, bird photography and films (including Hitchcock's), ornithology and bird mythology.Like the birdwatcher's hut, these 'hides' afford a new outlook as well as a commentary on the themes that fly out of, or nestle within the novel: possession and betrayal, identity and mortality, and the dangers unleashed by desire and ambition. At once comic and profound, this mischievous, inventive, word-juggling novel brims with joy at the transformative possibilities of language, but also shows extraordinary sensitivity to the messy business of being human and the fragility of the physical world we inhabit.